At Least the Water’s Clean

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At Least The Water’s Clean” is a satirical poolside scene that reimagines a women’s swimming final as a commentary on fairness, ego and the politics of modern sport. The towering gold‑medal winner, flanked by smaller, less triumphant competitors, hints at mismatched power and unspoken advantages while the spotless blue lanes below suggest that the only thing guaranteed to be “clean” is the water itself. In a bright, cartoon style with a packed stadium and cheeky details on the scoreboard and pool deck, the work invites viewers to look past the podium and ask who really wins, who loses, and what gets quietly washed away beneath the surface.